#threadcast #leoentertainment 27/10/2024
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Greetings my dear friends on Leo, its another day for our entertainment activities on Leo..
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Frankie Muniz finished 33rd on Saturday in his first Truck Series race since the “Malcolm in the Middle” star announced he will become a full-time NASCAR racer next season
HOMESTEAD, Fla. -- Frankie Muniz finished 33rd on Saturday in his first Truck Series race since the “Malcolm in the Middle” star announced he will become a full-time NASCAR racer next season.
Muniz, who is 38, recently made the jump from part-time racer to a full slate in the No. 33 Ford for Reaume Brothers Racing. He made two starts for Reaume Brothers this season in the Truck Series.
Muniz has said he is confident his team could be successful in this series, but Saturday's race was marred by mechanical issues for his Toyota. He qualified 31st out of 34 cars.
He competed twice this season in NASCAR’s second-tier Xfinity Series, including the opener at Daytona International Speedway, and has also participated in the ARCA Series, one of the lower rungs on the NASCAR feeder system.
Muniz said Friday that his ultimate goal as a full-time driver is to win races.
“I want to be the best," he said, "but realistically, the series is tough. There are a lot of good drivers and a lot of good teams, but I think if we could consistently be in the top 20 that would be a huge achievement for us.”
The former actor has been a race enthusiast for decades. Muniz drove the pace car for the 2001 Daytona 500 — a race in which seven-time Cup Series champion Dale Earnhardt was killed on the final lap.
NOVI, Mich. -- Former President Donald Trump has repeatedly referred to CNN anchor Anderson Cooper with a woman's first name in recent days as the Republican presidential nominee focuses his closing message on a hypermasculine appeal to men.
On a Friday morning post on Trump’s social media site Truth Social, the former president referred to one of the most prominent openly gay journalists in the U.S. as "Allison Cooper.”
Trump made the subtext even more explicit later Friday during a rally in Traverse City, Michigan, where he criticized a town hall Cooper hosted with Vice President Kamala Harris.
“If you watched her being interviewed by Allison Cooper the other night, he’s a nice person. You know Allison Cooper? CNN fake news,” Trump said, before pausing and saying in a mocking voice: “Oh, she said no, his name is Anderson. Oh, no."
On Saturday, Trump repeated the name during another Michigan rally, then followed it up during a nighttime reference in Pennsylvania. “They had a town hall,” Trump said in Michigan. “Even Allison Cooper was embarrassed by it. He was embarrassed by it.”
In referring to Cooper with a woman’s name, Trump appeared to turn to a stereotype heterosexual people have long deployed against gay men. Such rhetoric evokes the trope of gay men as effeminate and comes as Trump aims to drive up his appeal among men in the final stages of his bid to return to the White House.
The former president on Friday recorded a three-hour interview with Joe Rogan, a former mixed martial arts commentator whose podcast is wildly popular among young men. On Oct. 19, Trump kicked off a Pennsylvania rally discussing legendary golfer Arnold Palmer’s genitalia.
The Trump campaign did not respond to a request for comment. A representative for Cooper declined to comment.
A judge in Louisiana has temporarily blocked further efforts by state officials to clear homeless encampments in New Orleans — stalling a push that came ahead of three Taylor Swift concerts in the city this weekend.
The effort to relocate about 75 people living in tents beneath an overpass near the Superdome began in the days leading up to pop star's shows, which could draw 150,000 visitors to the stadium.
#leoentertainment ##abcnews
Judge Lori Jupiter granted a temporary restraining order on Friday, directing state law enforcement officials to not “destroy or dispose of the property of unhoused people without judicial process” and to notify people in the “state sanctioned camp” that they are “free to leave.”
The order is in effect until Nov. 4.
The judge's ruling came in response to a lawsuit filed by homeless people who were subject to the sweep. In legal filings, they argued that state troopers violated their constitutional rights by illegally searching, seizing and destroying their property, disposing of their prized possessions and “forcibly herding” them away.
According to the lawsuit, a legal observer overheard state troopers saying “the governor wants you to move because of the Taylor Swift concert.”
State officials have said the residents were being moved to a new location about two blocks away, where unhoused people living in the tourist-heavy French Quarter neighborhood would also be moved.
A spokesperson for Gov. Jeff Landry has said that the effort was meant to address homelessness and safety issues, linking the push to the concerts and February’s Super Bowl, which will take place in the city.
“As we prepare for the city to host Taylor Swift and Super Bowl LIX, we are committed to ensuring New Orleans puts its best foot forward when on the world stage,” Landry’s communications director, Kate Kelly, said in a statement issued to local media.
Advocates argue the effort disrupted the work of local officials to connect homeless people with social services and help them find more permanent housing solutions.
Martha Kegel, executive director of Unity of Greater New Orleans, a nonprofit that seeks permanent housing for unsheltered people, said the sweep was a needless and harmful endeavor and that many of those in the camp have mental illnesses and are distrustful of authorities and those trying to help them.
“Some people were frightened and left, and that’s not good,” she said. “Because then all the work that we did to assess them and document their disabilities and, you know, work with them on their housing plan has now been wasted.”
Among those who made the move Wednesday was Terrence Cobbins. Taking a break from gathering his belongings, he said he was told to move because of the concerts.
“They ain’t never did it before for other people,” he said. “Why Taylor Swift?”
___ Kate Payne is a corps member for The Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.
CLEVELAND -- Jim Donovan, the beloved radio play-by-play announcer for the Cleveland Browns and a TV sports fixture for more than four decades, died Saturday. He was 68.
Donovan retired from his broadcast career earlier this year and stepped away from his game-day duties with the team before this season while battling cancer. He had called Cleveland's games since the team's expansion rebirth in 1999.
Even in some lean, losing years for the Browns, Donovan managed to find moments to celebrate.
“He kept it real, but he kept a positive tone to it,” said former Browns kicker Phil Dawson, who inducted Donovan into the Legends Club. ”He just always could find that balance — authentic, real, accurate, but he was still supportive, even when there wasn’t a whole lot to support.
"And I know the players appreciated that. I know I certainly appreciated that. He was always quick to try to provide context, rather than letting people just focus on an individual moment. He just really had a knack for seeing the big picture. It was always ‘Go Browns,’ yet he kept it real and accurate, so that everybody understood what was going on.”
He had been diagnosed with chronic lymphocytic leukemia in 2000 and underwent a bone marrow transplant in 2011.
A graduate of Boston University, Donovan got to Cleveland in 1985. Along with doing local reporting of the city's three professional sports franchises, Donovan also had several national network assignments and was part of NBC's coverage team at the 1992 and 1996 Summer Olympics.
"This is an incredibly difficult day for us and the entire Cleveland Browns organization,” Browns owners Dee and Jimmy Haslam said. “His impact as the Voice of the Browns for 25 years is immeasurable as he touched the lives of our fans each and every Sunday with his love for the Browns and his brilliance at his craft.
“He will be greatly missed, but he cemented a legacy that will live on forever. The only thing that outweighed his love for this city and this team was the love he had for his family. Our thoughts and prayers are with his wife, Cheryl, his daughter, Meghan, and everyone who was fortunate enough to call Jimmy family or friend.”
A Boston native known to everyone as “Jimmy,” Donovan endeared himself to Cleveland fans with his passion, sense of humor and professionalism. He was a stickler for detail, spending countless hours preparing for game broadcasts.
Donovan had recently been inducted into the Browns' Legends Club and the Greater Cleveland Sports Hall of Fame. He had been too ill to attend the events.
When he was forced to step down in August, Donovan wrote a letter to Browns fans expressing his gratitude for their support.
“I have called Browns games for 25 years. Not a day has gone by when I haven’t paused and been so proud to be ‘The Voice of the Browns,’” he wrote. “Cheryl, Meghan and I thank you for all the love, support and prayers during my rough patches. It’s like having a huge family around us. And that’s what makes the Cleveland Browns so special. You do.”
Donovan had to step away as sports director at WKYC-TV last fall for several months to undergo treatment for leukemia. He returned to the broadcast booth in time to call the team's late-season run to the playoffs.
LONDON -- LONDON (AP) — George Smiley, the subtle fictional spymaster navigating treacherous Cold War currents, is back.
And so, somewhat surprisingly, is his creator, John le Carré.
Four years after the spy writer’s death at the age of 89, comes a new thriller, “Karla’s Choice.” Billed as “a John le Carré novel,” it was written by Nick Harkaway, whose qualifications for the job include seven published novels, a lifetime of reading le Carré — and the fact he is the late author’s son.
After decades avoiding his famous father’s shadow, like Smiley trying to leave the intelligence agency known as the Circus, he was drawn back in.
Le Carré left a note asking his family, as custodians of his estate, to help his works live on and find new readers. They took that as permission to write new books. But Harkaway, who made his name with sci-fi thrillers including “The Gone-Away World,” “Angelmaker” and “Titanium Noir,” was apprehensive about being the one to do it.
“I wanted with that dedication to thank them both. And also just to remind everybody, he was an awful lot of things to a lot of people.”
“The formative moment in my life where I was actually learning to speak, was learning to use language, I was getting 90 minutes or more of George Smiley in my ear every day,” he said. “And so when I came to sit down to do this, I found that I did not have to turn the dial very far to find a voice that is absolutely my own, but which reads to people as being sufficiently of the le Carré mood.”
Harkaway says that once he got over his terror, capturing Smiley’s voice came easily — he had literally grown up with it. Some of his earliest memories involve his father reading aloud draft pages of his works in progress.
“I would go so far as to say terrified,” said 51-year-old Harkaway, whose real name is Nicholas Cornwell. Le Carré was the pen name of his father, David Cornwell.
“It’s this piece of 20th-century literature that defines a genre and potentially a historical period. This body of work is immense. And it’s my father’s universe,” he said. “There’s every reason for people to be skeptical.”
Sitting in his spacious north London home — in the “very uncomfortable” writing chair that once belonged to his father – Harkaway has relaxed a bit now that the book has been published (by Viking) to largely glowing reviews. The Daily Telegraph said Harkaway’s “recreation of the Smiley milieu is note-perfect,” while The Guardian declared the novel “a treat.”
“Karla’s Choice” is set in 1963, months after the end of le Carré’s breakthrough novel, “The Spy Who Came in From the Cold.” It opens with a hitman, dispatched by Moscow to assassinate a Hungarian publisher in London, having a last-minute crisis of conscience.
A recently retired Smiley is pulled in for one last job. He’s assured it will be short and simple. Famous last words.
The peril-filled saga that follows fleshes out the early relationship between Smiley and the Soviet spymaster Karla, who becomes his nemesis in later works like “Tinker Tailor Soldier Spy” and “Smiley’s People.”
That mood is often dark. Le Carré had been a real-life Cold War intelligence agent, and his thrillers are steeped in the moral murk of the spy world. But bespectacled, understated Smiley – antithesis of that other famous fictional spy, James Bond — offers decency and hope.
Harkaway sees Smiley as “this compassionate, anonymous little everyman who can turn up and see the broken pieces of life on the floor and put them back together.”
There is a bit more humor in “Karla’s Choice” than in many of his father’s books, and female characters, including Smiley's wife Ann, get more space and voice.
He acknowledges that women were often on the sidelines in his father’s work — a reflection of the male-dominated era, and of a complicated life. David Cornwell’s mother left when he was 5 years old, leaving him with his father, a charismatic conman. He didn’t see her again until he was 21. As an adult he had two long marriages — the second to Harkaway’s mother, Valerie Jane Eustace — and multiple affairs.
“On a fundamental level for him, his relationships with women were about absence and pain,” Harkaway said. “That got better over time. But when he was writing Smiley, that’s what came through. And that’s not my life.”
Harkaway says working on the book didn’t bring “an Obi Wan Kenobi moment” in which an apparition of his father appeared to offer writing advice. But he found the experience “very moving.”
“Despite the fact that it’s … slightly a project that has grief attached to it, it’s still a joyful process,” he said.
It seems inevitable that more le Carré thrillers will follow. Harkaway also plans to continue writing under his own name and in his own style, with a sequel to “Titanium Noir” due to be published in April.
“Karla’s Choice” carries a double dedication: To David John Moore Cornwell, “father, husband, brother, son,” and to “John le Carré, novelist.”
“John le Carré was, among other things, a shield that my father created, because he was quite a shy guy,” Harkaway said. “John le Carré was kind of the suit that he put on to be able to do it all. And then David Cornwell was my dad. He was a terrible cook, he was a ping pong player of enormous aggression and flair … he was the person I lived with.
Tom Holland is getting ready to don his Spidey suit again. The fourth installment of the blockbuster series has been set for a July 2026 release, Sony Pictures said Friday.
Daniel Destin Cretton, best known for helming Marvel's “Shang-Chi and the Legend of the Ten Rings, has also signed on to direct the still-untitled film. Cretton had previously been tapped to direct “Avengers: Kang Dynasty” but exited the project, since reimagined as “Avengers: Doomsday," late last year.
Jon Watts directed the previous three Holland-led Spider-Man films. Together, “Spider-Man: Homecoming,” “Spider-Man: Far From Home” and “Spider-Man: No Way Home” have made over $3.9 billion globally.
Holland told “Good Morning America” recently that the idea for the fourth film “is crazy.”
“It’s a little different to anything we’ve done before, but I think the fans are going to really respond to it,” Holland said.
The studio claimed July 24, 2026, for its theatrical release. Earlier this week, Holland said during an appearance on “The Tonight Show Starring Jimmy Fallon,” that they plan to shoot next summer.
Verse 1:
I'm trapped in my own labyrinth
Where the exit is just an illusion
I feel lost, without direction
And time keeps passing, without a solution
Chorus:
The price of the city is too high
I'm paying with my own life
The price of the city is too steep
And I don't know if I'll survive
Verse 2:
I see people passing by me
With their eyes blinded, without feeling
The world is spinning, non-stop
And I'm here, not knowing what to do
Chorus:
The price of the city is too high
I'm paying with my own life
The price of the city is too steep
And I don't know if I'll survive
