It's time again for Three Tune Tuesday, that day of the week where members of the Hive community shares three songs of their liking with the rest of the community.
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I take a slow, relaxing approach to Three Tune Tuesday: I like to share pre-1924 78rpm songs from my collection, and record them while playing on an appropriate time-period windup phonograph. I encourage you to take a few moments and slow down with me. Settle down, close your eyes, and take yourself back.. way back.. in time, to a distant uncle's parlour in the early 1920's. There are comfortable seats, pleasant conversation, and old music.
My theme for today is Women’s Suffrage Anthems from the early 20th century. Songs that not only entertained but also empowered, resonating the struggle and triumphs of the early 20th century suffrage movement. This was a period marked by relentless advocacy and courageous women who fought tirelessly for their right to vote.
"Fall in Line (Suffrage March)" by Victor Military Band (1914)
"Fall in Line (Suffrage March)" was performed by the Victor Military Band in 1914. Written during a time of heightened activism, "Fall in Line" became a sonic beacon, guiding women and their allies as they marched toward equality.
The significance of "Fall in Line" lies in its role as a marching anthem, designed to instill a sense of unity and strength among suffrage supporters. The lyrics (though this version is an instrumental) and the rhythm of the music echo the sentiments of solidarity and resolve, urging listeners to join the cause and stand firm in their pursuit of justice. Marching songs like this one were essential in fostering a collective identity among suffragists, reinforcing the idea that they were part of a larger, unstoppable movement.
"Oh, Dear! What Can the Matter Be?" by Ray Herbeck
"Oh, Dear! What Can the Matter Be?" is an adaptation of a traditional tune by Ray Herbeck. This familiar melody was cleverly repurposed during the women's suffrage movement, transforming a well-known nursery rhyme into a powerful vehicle for advocacy and change. Its catchy and memorable tune made it an effective tool for spreading the suffrage message far and wide.
The historical roots of "Oh, Dear! What Can the Matter Be?" date back to the 18th century, where it was originally a folk song. Suffragists saw the potential in its widespread recognition and easy-to-sing melody, using it to craft lyrics that highlighted the injustices faced by women and their demand for the right to vote.
"She's Good Enough to Be Your Baby's Mother" by Anna Chandler (1916)
"She’s Good Enough to Be Your Baby’s Mother" argues that if women are entrusted with the crucial responsibilities of raising children and managing households, they are certainly capable of participating in the democratic process. The song highlights the skills, intelligence, and dedication that women bring to their roles as mothers and caregivers, challenging the notion that these qualities are incompatible with political engagement. By framing the suffrage argument within the context of family life, the song made the cause more accessible and persuasive to a broader audience.
Three Tune Tuesday (TTT) is initiated by @ablaze.
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(c) Victor Wiebe
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